best techno albums 2019

Tuesday, December 17, 2019 - 14:30 . In looking at house and techno from this multidisciplinary viewpoint, rRoxymore fills ‘Face To Phase’ with delightful, original ideas. While 2019 had no shortage of those, this year will be more easily remembered for its albums. Cookies help us deliver our Services. It’s a sensual and emotional album of stirring soundscapes. Martin Guttridge-Hewitt, Croydon’s Yip Wong walks the line between halftime club belters and more experimental concepts, but his debut album combines these to dramatic effect. An unapologetically personal work that is at times confusing, and always compelling. Eoin Murray, An album to get lost in, the fourth LP from HTRK sees the duo follow their 2014 effort with a significant stylistic shift. Dhruva Balram, In politically uncertain times, when those in power are happy to tell us they have all the answers, Kano pays tribute to the disenfranchised casualties of a broken generation, with razor-sharp takes on why, as a society, we’re asking the wrong questions. Eoin Murray, Rian Treanor’s debut album landed on Planet Mu in March, following EPs on The Death Of Rave and Warp’s Arcola imprint. Melancholic and thoughtful, at times run through with the kind of confused anger that only grief can bring, it demands full listening. Nominated for a Mercury Music Prize — which also gave us a brilliant, controversial performance at the awards show — ‘Nothing Great About Britain’ will go down as one of 2019’s most definitive artistic and political statements. Eoin Murray, Anthony Naple’s ‘Fog FM’ is an enchanting listen. Shedding the submerged rock aesthetic of the past, this is an immersive journey into lo-fi electronica crafted from pure emotion. Of the younger artists coming through, slowthai was nominated for the Mercury Prize for his acerbic debut full-length proper, ‘Nothing Great About Britain’, yet another testament to the engaged and unwavering energy that defined electronic music across the board in 2019. Lauren Martin, French producer rRoxymore grew up in a jazz-loving home and a father who was friends with Sun Ra. With a distinctive contemporary sheen, Mikron’s take on melancholy ambient and down-tempo electronics is miles ahead of the copyists. With a charismatic front-woman in Eno Williams, the band stretchs out with the disco of ‘Wanna Come Down’ and gave Beth Ditto a run for her money on the marvellous, Yazoo-esque ‘Tell Me (Doko Mien)’. The spatial and gentile ‘Bed of Roses Pt.II’, frenetic warehouse jam ‘Spectral’, and titular nod to Bon Jovi are just three examples. Amy Fielding, Dal Forno’s second album, and the first to land on her own imprint rather than the recently shut Blackest Ever Black, is where surreal guitars, opiate downbeat and ambient merge. Lauren Martin, Paul Woolford’s Special Request alias has been instrumental in taking the contemporary UK club sound back to its junglist roots. Dave’s album ‘Psychodrama’ won the Mercury Prize in September, against competition from indie giants, whilst Kano played a sold-out show at London’s Royal Albert Hall in October. You're right. Press question mark to learn the rest of the keyboard shortcuts. Kristan J Caryl, On ‘Lifetime’, Klein’s music oozes with confidence. The album embodies where club music is at in East Africa right now: a devastating delivery of bass-heavy soundsystem music. Pummeling four-to-the-floor kicks, urgent breakbeats and euphoric melodies come together in a truly world-building fashion, shaping an album that taps into rave’s rebellious heritage and primordial need to dance. Might want to get your vision checked lol, New comments cannot be posted and votes cannot be cast. Tristan Parker, Veering between nostalgia-tipped dancefloor stuff and eclecticism, Lisbon’s Photonz made ‘Nuit’ with the intention of being remembered. From the luxurious fireplace crackle of 2013’s ‘Dinas Oleu’ to the crumbly house of 2015’s ‘Taraxacum’, the Welsh producer and Freerotation festival resident DJ brews intoxicating remedies to cure whatever ails you. Sometimes ethereal, sometimes uncompromising and upfront, and all with a surrealist tinge, the album moves between mature dancefloor material and electronic shoegaze sounds with a deft touch. Smooth R&B melodies and lyrics are contrasted with abrasive textures, weaving through video game sonics and pop rhythms. RA staff pick their favourite full-lengths of the year. Haunting samples, sung and spoken, course through each track, forming intense, abstract reflections on family, faith and the black diasporic experience, from the spectral trip-hop of ‘Claim It’ to the disorienting personal dialogue of ‘Honour’. With a debut this like this, expect a very bright future for Hyperdub’s newest star. Amy Fielding, Another of Ilian Tape’s dream team steps into the light, after the modern classic ‘Compro’ by Skee Mask. Largely written during his sister’s terminal illness, it’s an introspective record of delicate notes and arrangements. Ben Hindle, London producer Loraine James’ debut album detailed sensuality, fear, anxiety, joy, and sadness. His third album under this name, ‘Information’, is his finest, his vaporous synth work twinned with jazzy hip-hop drumming. Sounding lonely and burned out, he’s honed his signature over several albums. Eoin Murray, Wearing his heart on his sleeve, or at least an interest in all things above the stratosphere, Playford’s intergalactic adventure showcases the producer’s musicality. Amy Fielding, Check out DJ Mag's 50 albums that defined the decade in electronic music here. His ‘Vortex’ album is an all-encompassing round-up of the tropes that have defined rave as we know it. It paints a picture of growing up on a British council estate, as slowthai balances tenderness and aggression. Boasting beatific new age ambient (‘Sun Notification’) and rapid-fire M1 breakbeat (‘Want’), it proves her versatility and considerable studio skills. These LPs not only defined the past year in electronic and dance music, but will continue to inspire and invigorate as a new decade begins. From its luminous ambient prelude to the fast-paced, trance-like colour of ‘Good Winds’, Efdemin plucks from contemporary experimental and club trends while staying committed to deep, rolling techno. Lyrically it’s business as usual — meditations on loves lost or not-yet-discovered — but when it comes to delivery, it’s her most assured yet. From the trance-y edges of arpeggiated ‘Shakti’, through boxfresh electro on ‘Avalon’ and ‘Lusting’, to ‘Doomsday Dub’’s menacing synth punk, it’s a far-reaching showcase for the producer and the Dark Entries label. Released eight years after their landmark debut as Karenn, Grapefruit Regret captured what's magical about their raw, energetic sound, perhaps best reflected in the blistering highlight "Crush The Mushrooms." Encompassing everything that’s fun and free about jungle, it’s a beautiful, psychedelic — sometimes whimsical — album, showcasing the Dutch producer’s talent for writing dreamy tracks that can turn the dancefloor into a throng of enchanted limbs. RA staff look back on the definitive albums of the 2010s. This is a community about Techno, a form of electronic dance music that emerged during the mid-to-late 1980s. I forgot that only specific bpms are legitimate techno. ‘Move Your Body’ is a ravey New York house piece with vocal samples, stabs and sub bass, and ‘Ecstatic Beat’ finds her chopping an Amen break into a million shards. On ‘Loom Dream’, Leif’s first “fully” ambient album, he blends pastoral field recordings and dusty chimes into soothing ambient beds, while muted, sporadic percussion keeps things upright and stirring. The tracks on the New York producer's latest album gallop along with crisp, punchy beats and sizzling electric echoes. Ben Murphy, Weaving rave breaks, garage and jersey club with strands of techno, house and R&B, Bored Lord’s debut LP on Knightwerk Records strikes first as a collection of radiant dancefloor workouts. Ibibio Sound Machine’s mix of Nigerian Afrobeat, electronic funk and post-punk reaches its zenith on ‘Doko Mien’. Featuring collaborations with Justin Broadrick (Godflesh, Zonal), King Britt, Saul Williams, Giant Swan and Bookworms, the Philadelphia artist wrenches minds open to knotted societal issues. 2019 was a year in which deeply personal and boldly political music ruled the long-player format. That's my biggest gripe with Rod's vinyl releases, they always sound like dog shit in that format. Created in collaboration with an AI program called “Spawn”, built by Herndon and her artist partner Mat Dryhurst, the album features live vocal processing, with Spawn interpreting sounds and spitting them back out. Embracing his alter-ego, Tyler showcases his emotional complexities, with intricate melodies and witty lyricism that paint a picture of acceptance and moving forward with unmatched energy. Press J to jump to the feed. Masterfully fusing these nostalgic motifs into a sound that is undeniably 2019, this album is an instant classic.

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