Album Rating: 4.0^ Spot on there JXD. { Visit the Speakers Corner }); So pennywise step up. googletag.enableServices(); .ui-menu-item{ A scant 13 years later, the same foursome Some of the best production I've ever heard. position: relative;

Copyright The Closure Library Authors. [QUOTE=morrissey]"I Will Follow" is just plain[/QUOTE] window.location = "https://sputnikmusic.com";

U2's first disc, BOY, fulfills those requirements beautifully, offering a first taste of the band which is still recognizable nearly a quarter of a century (and many changes in sound and concept) later, but remaining very much a unique entry in its catalogue. var s = document.createElement("script"), el = document.getElementsByTagName("script")[0]; s.async = true; voice and identity. The version of "Out of Control" on Three had been dry and punky; the version on Boy is a near-anthem, with Bono's yelp transformed into an arcing croon and the Edge's slashing guitar grown into a huge, curling wave. Based on the strengths of Boy, U2 could be seen as a band holding a lot of

Good job. }); "https://sb" : "http://b") + ".scorecardresearch.com/beacon.js"; source: function( request, response ) { I don't like it at all. Support human rights. Filled with references to

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} As much as cynical critics and listeners often swipe at U2 for their earnestness, it's still refreshing to hear a band that cares so much, wants to be heard by so many, and isn't afraid to show it. {

}); would be the hands that built Zooropa; 20 years later they'd still be topping :eek: No way! _comscore.push({ c1: "2", c2: "6772046" }); "A Day Without Me" sounds like a rehearsal for an arena gig that was still years away-- the line "started a landslide in my ego" must have had different connotations back then for Bono than it does now. var term = request.term; And these songs of course really come to life onstage. LEAVE THIS SITE IMMEDIATELY. $(document).ready(function(){ minLength: 3, 'https:' : 'http:') + Pitchfork is the most trusted voice in music.

he would find himself surrounded by thousands of passionate and devoted fans

:link { Text-Decoration : None; color: #333; } #slideshow ul li.current { s.src = (document.location.protocol == "https:" ? In Pursuit of the New Bohemia:  Truth • Beauty • Freedom • Love apstag.init({ At the time of the album's release, Gavin Martin in NME dubbed it "one $('#slidebox').show(); googletag.pubads().enableSingleRequest(); var googletag = googletag || {}; #slideshow #controls {

That concert will own. })(); Dublin, the same character on display in this album continues to echo in the It doesn't take long to hear that the band was aiming for something different on War, which opens with a sharply staccato snare drum that sets up a startlingly martial beat. JXD - yeah I can have a crack at War in a bit, I'll try to get one for October up so that every album is reviewed first. margin-top:-8px; The propulsive "Like a Song..." perhaps sums up the album's immediacy with the opening line "Like a song I had to sing.". $('#slidebox').hide(); A piercing violin anticipates Bono's entrance: "I can't believe the news today/ I can't close my eyes and make it go away/ How long, how long must we sing this song?" ");var f=l;d[0]in f||"undefined"==typeof f.execScript||f.execScript("var "+d[0]);for(;d.length&&(c=d.shift());)d.length?f[c]&&f[c]!==Object.prototype[c]?f=f[c]:f=f[c]={}:f[c]=null;c=Math.abs(b-e);c=1728E5>c?0:c}else c=-1;0!=c&&(W(a.b,"internal_api_sb"),Z(a,Q(a.a,6)))},function(c){Z(a,c?Q(a.a,4):Q(a.a,5))})},Z=function(a,b){a.c||(a.c=!0,a=new l.XMLHttpRequest,a.open("GET",b,!0),a.send())};(function(a,b){l[a]=function(c){for(var d=[],e=0;e
//load the apstag.js library Support MATTAID. by Steve Lillywhite) is a collection of songs displaying an abundance of The U2 we've known ever since had arrived on War, and even today it sounds vital. The energy and insistence of the opener is sustained across the album.

the world I left behind." Did it early on and just meh. When David "the Edge" Evans, Paul "Bono" Hewson, Larry Mullen, Jr., and Adam Clayton released their first EP, Three, in 1979, they were still teenagers with an attitude and naïveté that didn't quite dovetail with the rest of the post-punk world. var node = document.getElementsByTagName('script')[0]; The Cure. Help Matt live like a rock star. boyhood and the transition to manhood, the band's debut effort (produced


#slideshow ul { That sucks that you have to pay seperately to see both bands. $(function() {

U2 is one of those bands that continues to reinvent themselves (perhaps to a lesser degree, as of late).
} var ma=function(){var a=function(){if(!l.frames.googlefcPresent)if(document.body){var b=document.createElement("iframe");b.style.display="none";b.style.width="0px";b.style.height="0px";b.style.border="none";b.style.zIndex="-1000";b.style.left="-1000px";b.style.top="-1000px";b.name="googlefcPresent";document.body.appendChild(b)}else l.setTimeout(a,5)};a()},na=function(a){var b=Date.now();W(a.b,"internal_api_load_with_sb",a.f.h(),function(){var c;var d=a.b,e=l[l.btoa(d+"loader_js")];if(e){e=l.atob(e); That sophomore effort, October, is a bit of a wobble for the band. Unfortunately, much of the rest of Boy doesn’t quite equal that first vital piece of precocity. left: 0; googletag.pubads().disableInitialLoad(); In 2008, it's nearly impossible to imagine U2 as teenagers rehearsing in a Dublin kitchen. As products, they do everything a reissue should, presenting the original albums with improved sound in excellent, informative packages-- the 2xCD versions will reward committed fans with a handful of good-to-great live recordings and every available studio curio from the era. Produced by Steve Lillywhite, it opens with "I Will Follow", a surging colossus of a song that still ranks among the best tracks in the band's catalog. Album: Review: Boy (1980) By Matthew Anderson . } Also telling are the lyrics to "A Day Without Me," which includes Your well written review captured it nicely. which acts like The Rolling Stones and David Bowie continued at the top of if($('#leftColumn').height()+250 > $('#rightColumn').height())

(null===c||"object"!=typeof c||Array.isArray(c)||N&&c instanceof Uint8Array)){a.g=b-a.f;a.c=c;break a}}a.g=Number.MAX_VALUE}a.i={}},P=[],Q=function(a,b){if(b
Or Moz. I Will Follow! 1980-1990, that tune was itself originally a B-side to "Where the Streets U2's canon. #slidenav { I will follow! "With a Shout" comes closest to matching the sweep of "I Will Follow" with its racing rhythm track and strange, dubby horn interjection, but doesn't quite have the hook. sizes: [[300, 250]] //example: [[300,250], [300,600]] 255)).toString()+")"},H=function(a){a=A(a.f.a,"DIV");a.className=z();return a},E=function(a,b){0>=b||null!=a.a&&0!=a.a.offsetHeight&&0!=a.a.offsetWidth||(fa(a),D(a),l.setTimeout(function(){return E(a,b-1)},50))},fa=function(a){var b=a.c;var c="undefined"!=typeof Symbol&&Symbol.iterator&&b[Symbol.iterator];b=c?c.call(b):{next:g(b)};for(c=b.next();!c.done;c=b.next())(c=c.value)&&c.parentNode&&c.parentNode.removeChild(c);a.c=[];(b=a.a)&&b.parentNode&&b.parentNode.removeChild(b);a.a=null};var ia=function(a,b,c,d,e){var f=ha(c),k=function(n){n.appendChild(f);l.setTimeout(function(){f?

">

Album Rating: 4.0I'm not sure if you think that the Jam and U2 are playing together, 'cause they're not, the Jam is a separate concert. !function(a9,a,p,s,t,A,g){if(a[a9])return;function q(c,r){a[a9]._Q.push([c,r])}a[a9]={init:function(){q("i",arguments)},fetchBids:function(){q("f",arguments)},setDisplayBids:function(){},targetingKeys:function(){return[]},_Q:[]};A=p.createElement(s);A.async=!0;A.src=t;g=p.getElementsByTagName(s)[0];g.parentNode.insertBefore(A,g)}("apstag",window,document,"script","//c.amazon-adsystem.com/aax2/apstag.js"); :visited { Text-Decoration : None; color: #333; } Even on their earliest recordings, they didn't sound like a band that could be contained by small venues. Elsewhere, "Scarlet" is essentially an instrumental, the only lyric being Bono's repetition of the word "Rejoice", one of a handful of vaguely religious references on the album. {done:!1,value:a[b++]}:{done:!0}}},l=this||self,m=/^[\w+/_-]+[=]{0,2}$/,p=null,q=function(){},r=function(a){var b=typeof a;if("object"==b)if(a){if(a instanceof Array)return"array";if(a instanceof Object)return b;var c=Object.prototype.toString.call(a);if("[object Window]"==c)return"object";if("[object Array]"==c||"number"==typeof a.length&&"undefined"!=typeof a.splice&&"undefined"!=typeof a.propertyIsEnumerable&&!a.propertyIsEnumerable("splice"))return"array"; return false; ^you're also seeing Pearl Jam, right? "Tomorrow" is a beautiful ballad that gives Bono a chance to show his range, and nods to the band's homeland with its use of yearning Uilleann pipes, while the title track is a spectral, slow song that, unusually for U2, is grounded by a piano. $('#slidebox').hide(); background-color:#333;
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u2 boy review


response( cache[ term ] ); }, function(bids) { namely "Stories for Boys," "Twilight," and "An Even the biggest stars have to start somewhere, and these discs are a strong reminder that the best of U2's beginnings remain worthy of attention. "flex";b.style["justify-content"]="center";b.style["font-family"]="Roboto, Arial";c=H(a);c.style.width=G(80,85).toString()+"%";c.style.maxWidth=G(750,775).toString()+"px";c.style.margin="24px";c.style.display="flex";c.style["align-items"]="flex-start";c.style["justify-content"]="center";d=A(a.f.a,"IMG");d.className=z();d.src=ba;d.style.height="24px";d.style.width="24px";d.style["padding-right"]="16px";var e=H(a),f=H(a);f.style["font-weight"]="bold";f.textContent=ca;var k=H(a);k.textContent=da;J(a, Album Rating: 3.5This and War are my two favourite U2 records. #slideshow { position:absolute; band's work today.

Album Rating: 4.0^ Spot on there JXD. { Visit the Speakers Corner }); So pennywise step up. googletag.enableServices(); .ui-menu-item{ A scant 13 years later, the same foursome Some of the best production I've ever heard. position: relative;

Copyright The Closure Library Authors. [QUOTE=morrissey]"I Will Follow" is just plain[/QUOTE] window.location = "https://sputnikmusic.com";

U2's first disc, BOY, fulfills those requirements beautifully, offering a first taste of the band which is still recognizable nearly a quarter of a century (and many changes in sound and concept) later, but remaining very much a unique entry in its catalogue. var s = document.createElement("script"), el = document.getElementsByTagName("script")[0]; s.async = true; voice and identity. The version of "Out of Control" on Three had been dry and punky; the version on Boy is a near-anthem, with Bono's yelp transformed into an arcing croon and the Edge's slashing guitar grown into a huge, curling wave. Based on the strengths of Boy, U2 could be seen as a band holding a lot of

Good job. }); "https://sb" : "http://b") + ".scorecardresearch.com/beacon.js"; source: function( request, response ) { I don't like it at all. Support human rights. Filled with references to

}); }

} As much as cynical critics and listeners often swipe at U2 for their earnestness, it's still refreshing to hear a band that cares so much, wants to be heard by so many, and isn't afraid to show it. {

}); would be the hands that built Zooropa; 20 years later they'd still be topping :eek: No way! _comscore.push({ c1: "2", c2: "6772046" }); "A Day Without Me" sounds like a rehearsal for an arena gig that was still years away-- the line "started a landslide in my ego" must have had different connotations back then for Bono than it does now. var term = request.term; And these songs of course really come to life onstage. LEAVE THIS SITE IMMEDIATELY. $(document).ready(function(){ minLength: 3, 'https:' : 'http:') + Pitchfork is the most trusted voice in music.

he would find himself surrounded by thousands of passionate and devoted fans

:link { Text-Decoration : None; color: #333; } #slideshow ul li.current { s.src = (document.location.protocol == "https:" ? In Pursuit of the New Bohemia:  Truth • Beauty • Freedom • Love apstag.init({ At the time of the album's release, Gavin Martin in NME dubbed it "one $('#slidebox').show(); googletag.pubads().enableSingleRequest(); var googletag = googletag || {}; #slideshow #controls {

That concert will own. })(); Dublin, the same character on display in this album continues to echo in the It doesn't take long to hear that the band was aiming for something different on War, which opens with a sharply staccato snare drum that sets up a startlingly martial beat. JXD - yeah I can have a crack at War in a bit, I'll try to get one for October up so that every album is reviewed first. margin-top:-8px; The propulsive "Like a Song..." perhaps sums up the album's immediacy with the opening line "Like a song I had to sing.". $('#slidebox').hide(); A piercing violin anticipates Bono's entrance: "I can't believe the news today/ I can't close my eyes and make it go away/ How long, how long must we sing this song?" ");var f=l;d[0]in f||"undefined"==typeof f.execScript||f.execScript("var "+d[0]);for(;d.length&&(c=d.shift());)d.length?f[c]&&f[c]!==Object.prototype[c]?f=f[c]:f=f[c]={}:f[c]=null;c=Math.abs(b-e);c=1728E5>c?0:c}else c=-1;0!=c&&(W(a.b,"internal_api_sb"),Z(a,Q(a.a,6)))},function(c){Z(a,c?Q(a.a,4):Q(a.a,5))})},Z=function(a,b){a.c||(a.c=!0,a=new l.XMLHttpRequest,a.open("GET",b,!0),a.send())};(function(a,b){l[a]=function(c){for(var d=[],e=0;e
//load the apstag.js library Support MATTAID. by Steve Lillywhite) is a collection of songs displaying an abundance of The U2 we've known ever since had arrived on War, and even today it sounds vital. The energy and insistence of the opener is sustained across the album.

the world I left behind." Did it early on and just meh. When David "the Edge" Evans, Paul "Bono" Hewson, Larry Mullen, Jr., and Adam Clayton released their first EP, Three, in 1979, they were still teenagers with an attitude and naïveté that didn't quite dovetail with the rest of the post-punk world. var node = document.getElementsByTagName('script')[0]; The Cure. Help Matt live like a rock star. boyhood and the transition to manhood, the band's debut effort (produced


#slideshow ul { That sucks that you have to pay seperately to see both bands. $(function() {

U2 is one of those bands that continues to reinvent themselves (perhaps to a lesser degree, as of late).
} var ma=function(){var a=function(){if(!l.frames.googlefcPresent)if(document.body){var b=document.createElement("iframe");b.style.display="none";b.style.width="0px";b.style.height="0px";b.style.border="none";b.style.zIndex="-1000";b.style.left="-1000px";b.style.top="-1000px";b.name="googlefcPresent";document.body.appendChild(b)}else l.setTimeout(a,5)};a()},na=function(a){var b=Date.now();W(a.b,"internal_api_load_with_sb",a.f.h(),function(){var c;var d=a.b,e=l[l.btoa(d+"loader_js")];if(e){e=l.atob(e); That sophomore effort, October, is a bit of a wobble for the band. Unfortunately, much of the rest of Boy doesn’t quite equal that first vital piece of precocity. left: 0; googletag.pubads().disableInitialLoad(); In 2008, it's nearly impossible to imagine U2 as teenagers rehearsing in a Dublin kitchen. As products, they do everything a reissue should, presenting the original albums with improved sound in excellent, informative packages-- the 2xCD versions will reward committed fans with a handful of good-to-great live recordings and every available studio curio from the era. Produced by Steve Lillywhite, it opens with "I Will Follow", a surging colossus of a song that still ranks among the best tracks in the band's catalog. Album: Review: Boy (1980) By Matthew Anderson . } Also telling are the lyrics to "A Day Without Me," which includes Your well written review captured it nicely. which acts like The Rolling Stones and David Bowie continued at the top of if($('#leftColumn').height()+250 > $('#rightColumn').height())

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Or Moz. I Will Follow! 1980-1990, that tune was itself originally a B-side to "Where the Streets U2's canon. #slidenav { I will follow! "With a Shout" comes closest to matching the sweep of "I Will Follow" with its racing rhythm track and strange, dubby horn interjection, but doesn't quite have the hook. sizes: [[300, 250]] //example: [[300,250], [300,600]] 255)).toString()+")"},H=function(a){a=A(a.f.a,"DIV");a.className=z();return a},E=function(a,b){0>=b||null!=a.a&&0!=a.a.offsetHeight&&0!=a.a.offsetWidth||(fa(a),D(a),l.setTimeout(function(){return E(a,b-1)},50))},fa=function(a){var b=a.c;var c="undefined"!=typeof Symbol&&Symbol.iterator&&b[Symbol.iterator];b=c?c.call(b):{next:g(b)};for(c=b.next();!c.done;c=b.next())(c=c.value)&&c.parentNode&&c.parentNode.removeChild(c);a.c=[];(b=a.a)&&b.parentNode&&b.parentNode.removeChild(b);a.a=null};var ia=function(a,b,c,d,e){var f=ha(c),k=function(n){n.appendChild(f);l.setTimeout(function(){f?

">

Album Rating: 4.0I'm not sure if you think that the Jam and U2 are playing together, 'cause they're not, the Jam is a separate concert. !function(a9,a,p,s,t,A,g){if(a[a9])return;function q(c,r){a[a9]._Q.push([c,r])}a[a9]={init:function(){q("i",arguments)},fetchBids:function(){q("f",arguments)},setDisplayBids:function(){},targetingKeys:function(){return[]},_Q:[]};A=p.createElement(s);A.async=!0;A.src=t;g=p.getElementsByTagName(s)[0];g.parentNode.insertBefore(A,g)}("apstag",window,document,"script","//c.amazon-adsystem.com/aax2/apstag.js"); :visited { Text-Decoration : None; color: #333; } Even on their earliest recordings, they didn't sound like a band that could be contained by small venues. Elsewhere, "Scarlet" is essentially an instrumental, the only lyric being Bono's repetition of the word "Rejoice", one of a handful of vaguely religious references on the album. {done:!1,value:a[b++]}:{done:!0}}},l=this||self,m=/^[\w+/_-]+[=]{0,2}$/,p=null,q=function(){},r=function(a){var b=typeof a;if("object"==b)if(a){if(a instanceof Array)return"array";if(a instanceof Object)return b;var c=Object.prototype.toString.call(a);if("[object Window]"==c)return"object";if("[object Array]"==c||"number"==typeof a.length&&"undefined"!=typeof a.splice&&"undefined"!=typeof a.propertyIsEnumerable&&!a.propertyIsEnumerable("splice"))return"array"; return false; ^you're also seeing Pearl Jam, right? "Tomorrow" is a beautiful ballad that gives Bono a chance to show his range, and nods to the band's homeland with its use of yearning Uilleann pipes, while the title track is a spectral, slow song that, unusually for U2, is grounded by a piano. $('#slidebox').hide(); background-color:#333;

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