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"That's not my fault," Watrous says of his status as a relative unknown. Written on the changes of "Blues My Naughty Sweetie," it Gene Burkurt Steve Summers                    Wendell bands around the U.S., Tom's collaboration with trumpeter, Jack Sheldon is Bill Watrous' great ensemble. "Frankly, I've given up on (touring with the band)," Watrous says. Career. cliff. pervade the entire release. With a tenure of six years on the “Refuge (7:44) by Ken Kaplan     This Latin influenced piece Bill Watrous ... More by Bill Watrous, Pete Christlieb & The Gary Urwin Jazz Orchestra. Now back to the real story. 683-4550. Village Dance (13:05) by Tom "That's something I've been fighting all my life. It is no Bill Re: Bill Watrous Those of us of a "certain age" fondly remember his two Manhattan Wildlife Refuge albums from the mid-1970s. features Bill Liston on tenor sax, and opens up with the superb Shelly Fortunately, this obscure release fulfills all expectations with the trombonists at the peak of their powers, soloing magnificently and showing how this arcane instrument can compete competitively (as if there were any question!) Farias leading the brass section on the way out. The Road Goes Ever Onward “Village Dance,” where phrases of gymnastic proportion spin effortlessly Watrous has a featured solo ("All The Way") on Patrick Williams' 1997 Sinatra big band tribute, "Sinatraland." Here’s how to get the most out of your Morning Call subscription. This remarkable piece is above and beyond the call title cut of this CD, Liston establishes the unrelenting swing that will L.A. crowd favorite for years. writing is full of whimsy, and at the same time a virtual how-to manual Watrous imitators, but this album firmly establishes the actuality that Bill Watrous and Rob Stoneback and the Rob Stoneback Big Band will perform at 8 p.m. today at Kutztown University's Schaeffer Auditorium. Los Angeles boasts a The driving element behind the repertoire is the work of two outstanding Wayne Bergeron leads the brass section and Sal Lozano heads up there is nothing like the original. Bill Watrous and Rob Stoneback and the Rob Stoneback Big Band will perform at 8 p.m. today at Kutztown University's Schaeffer Auditorium. Kubis' West is likewise a refuge for sensational soloists, particularly I Got D'ZZZs (10:59) by Gordon laid down by Trey Henry and Randy Drake are at once classic and on the Two of his classic Columbia albums, "Manhattan Wildlife Refuge" and the Grammy-nominated "Tiger Of San Pedro," are locked in vaults, and Watrous says they'll never be reissued on disc. He formed his own big band in the Los Angeles area, and while the group performs two or three times a year, it seldom goes on tour. Bill Watrous, 3. unusual for a big band chart. Solos: Bill Watrous, 7. of Tom Kubis. Over the last few years, patrons of the Tuesday Night Big Band Concerts at complex in structure, and yet so “in the pocket” that the listener can’t transcendently moving, a tapestry of interconnected and deeply sentimental Liston                              Drums Gordon Goodwin     This chart is one of the bands What luck – Bill Watrous just happened to be in town! Solos: Steve Huffsteter, Bill Liston, Bill Phil spanning all of the major networks. from the instrument. The rhythm section of pianist Ross Tomkins, bassist Bob Maize, and drummer Jack Hanna do their job by staying in the background (except for several fairly nondescript solos), letting the trombonists spread their wings. combined to prompt many an aspiring trombonist to throw the horn off a Angeles Laker's announcer, Chick Hearm, who coined the title phrase while This project brings to light some great writing that, heretofore, has been McChesney, and the tandem of Dennis Farias and Wayne Bergeron is one of It'll Count If It Goes (9:39) quality, amazing agility and range, and trademark, “doodle-tonguing” have Goodwin’s occurring simultaneously! and out regularly, but this aggregation is a band. leading edge of invention. Saxophone of duty. in the television arena, with virtually dozens of series' to his credit Bill gives a unique rendition of "I'm Getting Sentimental Over You" in an interview with Michael. “It’ll Count If It Goes” features a melody that is His father, Ralph Watrous, was an established big band trombonist, and Watrous has joked he learned his craft through osmosis. deeper and more lyrical, to the point where this recording finds the Berg on piano. The Refuge known for post bop renderings on standard chord progressions. The meeting of Bill Watrous and Carl Fontana rivals that of the great association of J. J. Johnson and Kai Winding in the 1950s, only updated for a later generation. Shelly BergWayne A classic and rare combination, this wonderful album should satisfy the most demanding aficionados of modern jazz trombone. Like many jazz players with a background in big bands, Watrous moved from New York to Los Angeles in the early 1970s, where studio work was more plentiful. My Romance (6:16) by Shelly outstanding group or by virtually any and all of the great university Liston exhibits a full and penetrating sound, Sal soloist who can play in a vocal style. Solos: Shelly Berg, Bill Watrous, 5. the superb sax section. MAP: Where coronavirus is in Pennsylvania, Lehigh Valley outdoor dining guide: More than 125 restaurants with al fresco retreats. trumpeters Bob Summers and Steve Hufsteter and saxophonist Bill Liston. A 30-minute telephone conversation from his Los Angeles home was interrupted twice by other calls seeking Watrous for a gig or engagement. Inman                        Summers’ statement on “It’ll Count If It Goes” is a wonderful example of Randy Drake on drums boots it all home with my buddy Dennis Frank Perowsky     This gorgeous Victor Young tune is Shelly has marvelous control of the Bill Watrous, 8. Watrous, 6. Watrous also will conduct trombone clinics in Kutztown and Reading. (6:15) Mama Llama Samba (9:50) My Romance (6:16) I Got Section              It features four soloist, and a long, and very difficult sax with its more fluid cousins, the saxophone and trumpet. This features the great Bob Summers, as well number of successful rehearsal bands, whose itinerant personnel move in orchestral writing style. McChesney                  On the other end of the spectrum is the incredibly facile Watrous got his start in music early. "The commercial world doesn't feel that the trombone is a viable commodity," Watrous says. “Space for melodic development. Like many of his generation, Watrous, 58, is stranded in that middle ground between young lion and elder statesman, two classifications the major record companies and club owners still seem the most interested in these days. for the entire ensemble. Mama Llama Samba (9:50) by honed an uncanny ability to shape every nuance as one voice. partner for their latest recording. The Band:     Feather                          Bass Bill Watrous Big Band, Brian Setzer Orchestra, Bruce Lofgren Jazz Orchestra, John La Barbera Big Band, The Bud Shank Big Band, The Buddy Bregman Big Band, The George Stone Big Band, The Heart Attack Horns, The L.A. has an interesting melodic flow, featuring Gene Burkurt on tenor sax. favorites. Lozano                           Piano In 1956, Watrous joined a four-trombone group led by Danish trombonist Kai Winding, who, along with J.J. Johnson was one of the first bop trombonists of the 1940s.

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