why does love got to be so sad tab solo

More facts and quotes from interviews about this song can be found at www.songfacts.com. George got on with his life, that’s for sure.” Even throughout the coda there are changes. Easy to figure out. That riff is a direct lift from an Albert King song. Now you have to fine tune your guitar to the song, tuning all strings down again about a quarter tone. All we can do now is to play it in C, no matter how it sounds together with the album. My ass. called “Brownie”, which gave a sharp, “twangie” sound compared to the Gibson played by Duane. Do you know this one?” Of course, he knew *everything* that I would say and we’d just do it – a lot of those things like “Key to the Highway” and “Nobody Knows You When You’re Down and Out” are first or second takes. }; Why Does Love Got To Be So Sad tab by Eric Clapton at GuitareTab.com Look at the music basics for a better understanding and use the scale generator to get fretboard schemes. A two-day concert at Fillmore East (without Duane) was released as a double album in 1994. It’s well known that the coda (the end) of Layla was added afterwards. So all chords belong to the scale. Duane did not play on the first three songs of this album. For soloing, you have the C major/A minor scale. It just killed me. This one has already been described here. The chords are played as arps like: This playing continues until “and I miss her”, when there’s a E7 leading over to A (“But it all seems”). The F – F#dim7 chord change is important: walk up with the bass note from the 3rd to the 4th fret of the D string. And I don’t have to pay royalties because . Try to get it by yourself! We continue with the basic chords for this song: Emaj7 and F#m, played with two guitars. The “virtual” key, that means relative to the position on the fretboard, is D major (or its relative minor Bm) and sometimes B for the chorus. This chord progression uses the cycle of fifth: E7 is the fifth (V) of A7, A7 is the V of Dm and D7, D7 is the V of G7, and G7 is finally the V of C. Yeah! Some time ago I already added the chords for Anyday to the tab archive, so I can save some work…. I Looked Away (Clapton/Whitlock) is a nice ballad in the good old C major scale, no pentatonic (a few more notes to play than the pentatonic, the octave now really contains 8 notes, octa=8). The intro came later. Hmmm, maybe I do [laughs]. is at 3:04 (chords: A A/G D/F# F). (D(I) – E – F# – G(IV) – A(V) – B(vi) – C# – D), We continue with the next verses (chords again E – A – D) and the second bridge with the chords shown above. [F] I know you're going to [C] break my heart if I [E7] let you. Good for her and good for Eric for moving on with his life. “Yeah, that came to me one night. The main lick is a bend/slide into the root note A. Then I’d quickly think of something else to keep him there. Most slide guitar parts were played by Duane, but not all. E is the V, played as major chord, F#m is the vi, played as minor chord and D is the IV, played as major chord. You don’t need to learn new fretboard patterns – the major pentatonic scale is just 3 frets down the minor pentatonic. Killed in a motorcycle crash in 1971 at age of 24. The chords are (lyrics only in parts, copyright…): How do these chords fit to the E major (C# minor) scale (skip if you know it, see basics for more…)? It’s easier to play with a capo at the 2nd fret, but you can also play it without. ), no blues at all. Take a look at the A major scale (not pentatonic, see basics). The song appeared later on the Crossroads I box set . So this is simple and easy to understand. At first – the key. Jim Horn showed him that – Jim Horn just did my album – and Jim said, “Lemme show you somethin’, and I went, “Whoa!” – he did! How do I play that? Why does love got to be so sad?). Feel strange? On the other hand Duane played a lead guitar part on “Why Does Love Got To Be So Sad”, trading the licks with EC. Changing back to D we have the next verse with chords as before and again the chorus in B, than we get the first solo in D starting at 1:14: and continues all this way trading licks with Duane until the vocals start again from 2:00 until 2:45. A couple of songs were re-mastered afterwards, sometimes speed up a little, or edited in other ways. The reason it that the guitars were tuned up a quarter step and played using the key and fingering pattern of A, in real between A and A#, kind of A(1/2)#. The chorus (Anyday, Anyday, I will…) is in a different key, in D, with the chords D, A, G. Notice that D is the fourth of A and A is the fifth of D! But we’ll try our very best…. You don’t sneak very well when you’re a world figure. This category only includes cookies that ensures basic functionalities and security features of the website. The later added coda was from Jim Horn, Jim Gordon and Rita Coolidge. No problem, as always the chords fit to the scale, that means they use notes from the C major scale. Let’s build up this song again, especially for the beginners. We just jammed and hung out, got drunk and did a few drugs. You can play it also without a slide and use bends instead. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. Well, George didn’t really care. Looking at the basics you see that the D(I) and E(IV) can be played as major 7th chords because all notes belong to the D scale. The E major scale (and the C# minor scale) have the following notes: E(I) – F#(ii) – G#(iii) – A(IV) – B(V) – C#(vii)- D#(viii) – E(I) (E major). The intro contains the basic chord progression of the whole song and goes like (notice the descending bass line! When you look at the A Blues pentatonic scale, you’ll see that it doesn’t fit any more, several notes are missing. – Bobby Whitlock, interview 2000, With Bobby Whitlock’s “Thorn Tree in the Garden” the album fades away with a beautiful love ballad. Continued all along these notes… – Tom Dowd, interview 2002, The sun’s got to shine on my guitar someday. UPDATE: the link to my page doesn’t exist anymore. It is mandatory to procure user consent prior to running these cookies on your website. The song is in E and starts with a 4 note harmonic played like. I remember Jim Gordon and Rita Coolidge were livin’ together up on some canyon, and I was stayin’ in the house down below, and they were upstairs, and they were trying – Jim Gordon played me this thing, and they were trying to put it together, him and Rita. This one is really hard to tab – important notes are on the 20th, 22th (root) and 24th fret on the high E string (I can’t really play there) and the 20th and 22th fret of the A string. [F] I've never [C] been the same since I [E7] met you. According to Bobby Whitlock the girl on the CD inlet is Kay Poorboy. var opts = { EC played a sunburst Fender Stratocaster (1999 auction price 450 000 US$!) The chords that follow are Emaj7 – A – B – E – E7 – A – Emaj7 – A – Emaj7 – B7 (“answer why?”) – Emaj7 – E7 – A – E and back to the Emaj7/F#m sequence (“And if I never”). It still knocks me out when I play it.” Why does love got to be so Sad Chords by Eric Clapton. A common example in A: The main chord progression for this song is: A – E7 – D7 – D7 adunit_id: 100000049, G major is E minor, C major is A minor and so forth. We have more than one guitar on it, even more than two, so we have to analyse them separately. WHY DOES LOVE GOT TO BE SO SAD by Eric Clapton and Bobby Whitlock [Am] [G] [Am] [G] [Am] [G] [Am] [G] [Am] [G] [Am] [G] [Am] [G] [Am] [G] [Am] Got to find me a [G] way [Am] To take me back to [G] yesterday. Still an active musician, co-writer of many songs. I kept thinking, ‘I hope to God Duane don’t see him [Clapton].’ It bothered me and I was playing keyboards. Duane (without slide) and Eric both play the breathtaking lead guitar parts on it. – Bobby Whitlock, interview. We also have Duane playing the slide guitar. This format has a different chord progression than the 12 bar Blues. It’s hard to play it, and maybe impossible to play it like Duane and Eric. This website uses cookies to improve your experience while you navigate through the website. – Eric Clapton, interview 1988. The song starts with the signature lick in D minor. In an interview during the Crossroads guitar auction EC stated, that it was a Blind Blake tune which inspired him to the chord change. If you take a look a the D scale notes I used to live at the Plantation – remember the song, “Shoot-out at the Plantation” that Leon Russell wrote? BTW (see basics): The first notes are quite similar to Johnny Cash’s Ring Of Fire: Detailed lyrics have been removed for copyright reasons, so it looks a bit onfusing. fret. So, Tom Dowd put both parts together – the piano coda. The chords can be used for the unplugged version, too. She also found Carl Radle dead at his home. Duane plays a lot of hammer-ons and pull-offs and adds sometimes notes from the major scale – like EC. The verse “There is nothin’ I can do” is used for a fast and powerful pentatonic lick. This is a semitone above the key (or below if you call it C#m) used for the intro (D minor). It’s a little soon to talk much about Tom. Eric Clapton wrote this in England with Bobby Whitlock. I don’t know what the hell they did when they weren’t with me-don’t know if they’d been in bed or where they’d been, but at two o’clock they were ready to play. Keep on playing A and D as arpeggios until the shuffle starts (Wish I…): The chorus also uses just A/A6 and D/D6 as chords. There was thirteen of us: “Indian Head” Davis, Jimmy Karstein; there was a bunch of us living in this house in California. Some of the licks are noted below – take a look at the lime-line. If you try to play it, you’ll hear that something is wrong. It turns out, Jim Horn actually really wrote that coda. The Allman Brothers and Derek & The Dominoes-if I denied that they drank, that they used ups and downs, that they smoked, I’d be lying. I tried, and he actually came on a few gigs, too. Layla and Other Assorted Love Songs is the sole studio album by the English–American blues rock band Derek and the Dominos, released in November 1970 as a double album.It is best known for its title track, "Layla", and is often regarded as Eric Clapton's greatest musical achievement.The other band members were Bobby Whitlock on keyboards and vocals, Jim Gordon on drums, Carl Radle on bass. Got To Get Better In A Little While was written by EC and played again live recently. Here it’s again: Let’s jump into the cold water and just begin with the intro. It goes, There is nothing I can do/If you leave me here to cry. The first solo is played somewhat like the intro with double stops like: And th e second solo (A minor, 1st fingering pattern at 17th fret): OK, to shorten the download time, the next songs a little more compressed….

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